Olaf Metzel
Papierkorb

2019

EB101

Galvanized steel, aluminium
1/5: 60 x 40 cm; 2/5: 65 x 40 cm; 3/5: 54 x 48 cm; 4/5: 65 x 60 cm; 5/5: 40 x 60 cm

Edition of 5 + 2 AP, signed and numbered certificate

7.800 Euro

Edition by Olaf Metzel. In a round paper basket made of galvanized steel mesh is a printed aluminium plate that is folded in such a way that it looks like a crumpled sheet of paper
Edition by Olaf Metzel. In a round paper basket made of galvanized steel mesh is an aluminium plate printed on both sides, which is folded in such a way that it looks like a crumpled sheet of paper hanging over the edge
Edition by Olaf Metzel. In a round paper basket made of galvanized steel mesh is an aluminium plate printed on both sides that is folded in such a way that it looks like a crumpled sheet of paper. The wastepaper basket itself is dented
Edition by Olaf Metzel. In a round paper basket made of galvanized steel mesh is an aluminium plate printed on both sides that is folded in such a way that it looks like a crumpled sheet of paper.
Edition by Olaf Metzel. In a round paper basket made of galvanized steel mesh is an aluminium plate printed on both sides that is folded in such a way that it looks like a crumpled sheet of paper.
Edition by Olaf Metzel. In 5 round paper baskets made of galvanized steel mesh are aluminium plates printed on both sides, which are folded in such a way that they look like crumpled paper. Some of the baskets are dented

    For the work Papierkorb (Wastebasket), which was produced in five versions differing in form and content, Metzel tongue-in-cheek takes the concept underlying his folds even further. The aluminum sculptures, which resemble crumpled paper but are created using a complex printing process and craftmanship, are no longer presented as wall objects, which would make their status as works of art obvious, but are presented as trompe-l’œils in the container in which they are disposed of. The wastebasket itself, more or less forcibly “worked” by Metzel, becomes a piece of art here. As ambivalent material images, the editions trace the artistic creative process between design and rejection, the will to compose and destroy, while at the same time satirizing it. What accumulates in the studio, discarded as ideas and seemingly carelessly thrown away – sketches, color samples, magazine pages – flows back into the sphere of art through elaborate material refinement.
    Text: Eva Scharrer